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by Sarah Milroy (Editor), Ian A. C. Dejardin (Editor)
Vanessa Bell (1879-1961) has been known as the still, quiet centre around which the Bloomsbury Group revolved, renowned for her beauty, her complex romantic entanglements and, later, her domestic gravitas - and as the sister of Virginia Woolf. But Bell was also one of the most advanced British artists of her time, with her own distinctive vision, boldly interpreting new ideas about art which were brewing in France and beyond.
This publication beautifully showcases Bell's pioneering oil paintings, photographs, ceramics, fabrics, decorative screens and works on paper in a revelatory affirmation of her vibrant and wideranging talent. Including more than 180 colour plates, Vanessa Bell is a definitive record of Bell's accomplishments, enhanced with photography of Charleston, the Sussex farmhouse that she occupied with creative flair alongside Duncan Grant and the rest of her unconventional family. With sections devoted to portraiture, landscape, still life, design, domestic scenes and female subjects, the book gathers together a rich chorus of voices - from renowned Bloomsbury scholars to emerging experts - delivering a fresh view of an intrepid modern artist seen clearly on her own terms at last.Author Biography
Sarah Milroy is the former editor and publisher of Canadian Art magazine and a co-founder of the Canadian Art Foundation. From 2001 to 2010, she served as chief art critic of the Globe and Mail. Sarah co-curated From the Forest to the Sea: Emily Carr in British Columbia with Ian AC Dejardin in 2015.
Ian AC Dejardin is Executive Director of the McMichael Canadian Art Collection. He has previously curated the Painting Canada series: Tom Thomson and the Group of Seven (2011) and From the Forest to the Sea (as above) with Sarah Milroy.
