Additional information
by Ivor L. Miller (Author), Bassey E. Bassey (Foreword by)
In Voice of the Leopard: African Secret Societies and Cuba, Ivor L. Miller shows how African migrants and their political fraternities played a formative role in the history of Cuba. During the eighteenth and nineteenth centuries, no large kingdoms controlled Nigeria and Cameroon's multilingual Cross River basin. Instead, each settlement had its own lodge of the initiation society called Ekpe, or "leopard," which was the highest indigenous authority. Ekpe lodges ruled local communities while also managing regional and long-distance trade. Cross River Africans, enslaved and forcibly brought to colonial Cuba, reorganized their Ekpe clubs covertly in Havana and Matanzas into a mutual-aid society called Abakua, which became foundational to Cuba's urban life and music.
Miller's extensive fieldwork in Cuba and West Africa documents ritual languages and practices that survived the Middle Passage and evolved into a unifying charter for transplanted slaves and their successors. To gain deeper understanding of the material, Miller underwent Ekpe initiation rites in Nigeria after ten years' collaboration with Abakua initiates in Cuba and the United States. He argues that Cuban music, art, and even politics rely on complexities of these African-inspired codes of conduct and leadership. Voice of the Leopard is an unprecedented tracing of an African title-society to its Caribbean incarnation, which has deeply influenced Cuba's creative energy and popular consciousness.
This book is sponsored by a grant from the InterAmericas(r)/Society of Arts and Letters of the Americas, a program of the Reed Foundation.
Front Jacket
How African secret societies changed the music, art, and history of Cuba
Author Biography
Ivor L. Miller is senior lecturer in the Department of History and International Studies at the University of Calabar, Cross River State, Nigeria. He also holds a research fellowship from the African Studies Center at Boston University and is author of Aerosol Kingdom: Subway Painters of New York City and coeditor (with P. González Gómes-Cásseres) of The Sacred Language of the Abakuá, both published by University Press of Mississippi.
