by Christopher Logue (Author)
A remarkable hybrid of translation, adaptation, and invention
Picture the east Aegean sea by night,
And on a beach aslant its shimmering
Upwards of 50,000 men
Asleep like spoons beside their lethal Fleet.
"Your life at every instant up for-- / Gone. / And, candidly, who gives a toss? / Your heart beats strong. Your spirit grips," writes Christopher Logue in his original version of Homer's
Iliad, the uncanny "translation of translations" that won ecstatic and unparalleled acclaim as "the best translation of Homer since Pope's" (
The New York Review of Books).
Logue's account of Homer's
Iliad is a radical reimagining and reconfiguration of Homer's tale of warfare, human folly, and the power of the gods in language and verse that is emphatically modern and "possessed of a very terrible beauty" (
Slate). Illness prevented him from bringing his version of the
Iliad to completion, but enough survives in notebooks and letters to assemble a compilation that includes the previously published volumes
War Music,
Kings,
The Husbands,
All Day Permanent Red, and
Cold Calls, along with previously unpublished material, in one final illuminating volume arranged by his friend and fellow poet Christopher Reid. The result,
War Music, comes as near as possible to representing the poet's complete vision and confirms what his admirers have long known: that "
Logue's Homer is likely to endure as one of the great long poems of the twentieth century" (
The Times Literary Supplement).
Author Biography
Christopher Logue (1926-2011), poet, playwright, scriptwriter, and actor, was born in Portsmouth, Hampshire. He moved to Paris in 1951, where he published his first books, Wand and Quadrant; Seven Sonnets; and Devil, Maggot and Son. Logue won the Paris Review / Bernard F. O'Connor Award and was made a Commander of the Most Excellent Order of the British Empire for his contributions to literature.
Number of Pages: 352
Dimensions: 1.1 x 8.1 x 5.4 IN
Publication Date: January 10, 2017
